Lectures On Aesthetics - Content

Content

The lectures are presented under three broad headers.

1. The first part is devoted to the general notions of beauty and ideal.
2. The second part examines this ideal as it realizes itself in three stages, the "particular forms of art", each respectively represented "in full" by Egyptian architecture (which displays its aporetical nature under the guise of a Sphinx), the representation of the gods in classical Greek statuary and the Passion of Christ (taken as the content of representation):
   1. symbolic art,
   2. classical art
   3. romantic art
3. The third and final part concerns itself with the examination of each of the five major art forms in ascending order:
   1. architecture
   2. sculpture
   3. painting
   4. music
   5. poetry

Hegel's exposition is faithful to his dialectical method, showing how the various forms art has taken are dissolved and give place to "higher" forms through the work of the negative, i.e. the internal contradictions these forms each bear in their time.

Hegel documents the rise of art from symbolic architecture, classical sculpture and romantic poetry. At the time it was noted for the wealth of pictures included with it. In Hegel's discussion of sculpture he outlined his ideas on human beauty. Most notably, these lectures famously included Hegel's pronouncement of the "death of art" (i.e., the notion that art could no longer be a proper vehicle for humanity's comprehension of its own essence).