Lead and Follow - Theory

Theory

The degree to which the Lead controls the dance (and, by implication, "controls" the Follower) depends on the dance style and dancer sensitivity, the social context in which the dance exists, the experiences and personalities of each partner, and a range of other factors. Some partner dances such as Lindy Hop involve an open position which encourages each partner to improvise alone, yet others, such as Argentine Tango may involve a "close embrace" or closed position which require Followers to follow the Lead more comprehensively.

For many individual dancers, exploring the limits of the Leader-Follower relationship adds to the dance, where this relationship might better be understood as a conversation between partners, with each contributing to the style and mood of the dance through their connection. For other partners, the lead's complete control of the follower, and the follower's relinquishing a greater degree of creative or expressive autonomy is more personally comfortable or satisfying.

Read more about this topic:  Lead And Follow

Famous quotes containing the word theory:

    It makes no sense to say what the objects of a theory are,
    beyond saying how to interpret or reinterpret that theory in another.
    Willard Van Orman Quine (b. 1908)

    There is in him, hidden deep-down, a great instinctive artist, and hence the makings of an aristocrat. In his muddled way, held back by the manacles of his race and time, and his steps made uncertain by a guiding theory which too often eludes his own comprehension, he yet manages to produce works of unquestionable beauty and authority, and to interpret life in a manner that is poignant and illuminating.
    —H.L. (Henry Lewis)

    The theory seems to be that so long as a man is a failure he is one of God’s chillun, but that as soon as he has any luck he owes it to the Devil.
    —H.L. (Henry Lewis)