Paris
In 1886 van Gogh left Holland for Paris and the guidance of his brother Theo van Gogh. While van Gogh had been influenced by great masters in Holland, coming to Paris meant that he would have the opportunity to be influenced by Impressionists, Symbolists, Pointillists, and Japanese art. His circle of friends included Émile Bernard, Paul Gauguin, Camille Pissarro, Henri de Toulouse-Lautrec, and others.
Montmartre, sitting on a butte overlooking Paris, was known for its bars, cafes, and dance-hall. It was also located on the edge of countryside that afforded van Gogh the opportunity to work on paintings of rural settings while living in Paris.
The landscape and windmills around Montmartre were the source of inspiration for a number of van Gogh's paintings. Moulin de la Galette, still standing, is located near the apartment that van Gogh shared with his brother Theo from 1886 until 1888. Built in 1622, it was originally called Blute-Fin and belonged to the Debray family in the 19th century. Van Gogh met artists such as Toulouse-Lautrec, Paul Signac and Paul Gauguin who inspired him to incorporate Impressionism into his artwork that, among other things, resulted in lighter, more colorful works of art.
Moulin de la Galette was also the name of an outdoor dance hall that was located between two of the last windmills on a Montmartre hilltop. In addition to van Gogh, Toulouse-Lautrec and Pierre-Auguste Renoir also painted Moulin de la Galette. Renoir's painting of the dance hall is titled Bal du moulin de la Galette.
Read more about this topic: Le Moulin De La Galette (Van Gogh Series)
Famous quotes containing the word paris:
“There is but one Paris and however hard living may be here, and if it became worse and harder even—the French air clears up the brain and does good—a world of good.”
—Vincent Van Gogh (1853–1890)
“If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.”
—Ernest Hemingway (1899–1961)
“Paradoxically, the freedom of Paris is associated with a persistent belief that nothing ever changes. Paris, they say, is the city that changes least. After an absence of twenty or thirty years, one still recognizes it.”
—Marguerite Duras (b. 1914)