Lawrence Ferlinghetti - Poetry

Poetry

If you would be a poet, create works capable of answering the challenge of
apocalyptic times, even if this meaning sounds apocalyptic.

You are Whitman, you are Poe, you are Mark Twain, you are Emily Dickinson and Edna St. Vincent Millay, you are Neruda and Mayakovsky and Pasolini, you are an American or a non-American, you can conquer the conquerors with words....

—Lawrence Ferlinghetti. From Poetry as Insurgent Art .

Though imbued with the commonplace, Ferlinghetti’s poetry is grounded in lyric and narrative traditions. Among his themes are the beauty of natural world, the tragicomic life of the common man, the plight of the individual in mass society, and the dream and betrayal of democracy. He counts among his influences T. S. Eliot, Ezra Pound, e. e. cummings, H.D., Marcel Proust, Charles Baudelaire, Jacques Prévert, Guillaume Apollinaire, and Blaise Cendrars. One of his poems, 'Two Scavengers in a Truck, Two Beautiful People in a Mercedes', is now a poem studied at GCSE level in England and Wales, as part of the collection of poems in the AQA Anthology. His famous poem "Just As I Used to Say', was published in 1976, when Ferlinghetti was at the ripe old age of 57.

Read more about this topic:  Lawrence Ferlinghetti

Famous quotes containing the word poetry:

    Surrealism is not a school of poetry but a movement of liberation.... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings.
    Octavio Paz (b. 1914)

    There is nothing more poetic than the truth. He who does not see poetry in it will always be a poor versifier outside of it.
    Multatuli [Eduard Douwer Dekker] (1820–1887)

    The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.
    Walter Pater (1839–1894)