Late Modernism

Late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is Contemporary Art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in After the End of Art that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer, Robert C. Morgan, Kirk Varnedoe, Jean-Fran├žois Lyotard and others have argued that postmodern objects are at best relative to modernist works.

The jargon which encompasses the two terms Late Modernism and Postmodern art is used to denote what may be considered as the ultimate phase of modern art, as art at the end of modernism or as certain tendencies of contemporary art. There are those who argue against a division into modern and postmodern periods. Not all critics agree that the stage called modernism is over or even near the end. There is no agreement that all art after modernism is post-modern. Contemporary art is the more-widely used term to denote work since roughly 1960, though it has many other uses as well. Nor is post-modern art universally separated from modernism, with many critics seeing it as merely another phase in modern art or as another form of late Modernism.

As with all uses of the term post-modern there are critics of its application, however, at this point, these critics are in the minority. This is not to say that the phase of art denoted by post-modernism is accepted, merely that the need for a term to describe movements in art after the peak of Abstract Expressionism is well established. However although the concept of change has come to consensus, and whether it is a post-modernist change, or a late modernist period, is undetermined, the consensus is that a profound change in the perception of works of art has occurred and a new era has been emerging on the world stage since at least the 1960s.

Read more about Late Modernism:  Differences Between Late Modernism and Post Modernism, Radical Movements in Modern Art

Other articles related to "late modernism":

Late Modernism - Movements Associated With Postmodern Art - Late Modernist Painting and Sculpture in The 21st Century
... Hard-edge painting, geometric abstraction, appropriation, hyperrealism, Photorealism, expressionism, minimalism, Lyrical Abstraction, pop art, op art, Abstract Expressionism, Color Field painting, monochrome painting, neo-expressionism, Collage, Intermedia painting, Assemblage painting, digital painting, Postmodern painting, Neo-Dada painting, Shaped canvas painting, environmental mural painting, traditional figure painting, Landscape painting, Portrait painting, are a few continuing and current directions in painting at the beginning of the 21st century ... The New European Painting of the 1990s and the beginning of the 21st century, with painters like Gerhard Richter, Bracha Ettinger and Luc Tuymans, has opened a complex and interesting dialogue with the legacy of American Color Field and Lyrical Abstraction on the one hand and figurality on the other hand ...

Famous quotes containing the words modernism and/or late:

    By Modernism I mean the positive rejection of the past and the blind belief in the process of change, in novelty for its own sake, in the idea that progress through time equates with cultural progress; in the cult of individuality, originality and self-expression.
    Dan Cruickshank (b. 1949)

    This was the Eastham famous of late years for its camp- meetings, held in a grove near by, to which thousands flock from all parts of the Bay. We conjectured that the reason for the perhaps unusual, if not unhealthful development of the religious sentiment here, was the fact that a large portion of the population are women whose husbands and sons are either abroad on the sea, or else drowned, and there is nobody but they and the ministers left behind.
    Henry David Thoreau (1817–1862)