Writing
Eisenberg published his first short story, "Dr. Beltzov's Polyunsaturated Kasha Oil Diet," in Harper's Magazine in 1962. Shortly after that, he began publishing his stories in many of the leading science fiction magazines of the day, including The Magazine of Fantasy and Science Fiction, Galaxy Science Fiction, and If. Many of these stories have a humorous style and feature his character Professor Emmet Duckworth, a research scientist and two-time winner of the Nobel Prize.
Eisenberg is best known for his short story What Happened to Auguste Clarot?, which was published in the anthology Dangerous Visions edited by Harlan Ellison. His stories have also been reprinted in anthologies such as Great Science Fiction of the 20th Century, The 10th Annual of the Year’s Best SF, and Great Science Fiction By the World's Great Scientists.
He has published two books of limericks (both with George Gordon), and one collection of short stories, Best Laid Schemes. More recently, he has gained a cult following for the limericks he posts in the comments sections of various New York Times articles and has been called the "closest thing this paper has to a poet in residence."
Read more about this topic: Larry Eisenberg
Famous quotes containing the word writing:
“I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (1885–1972)
“I am carrying out my plan, so long formulated, of keeping a journal. What I most keenly wish is not to forget that I am writing for myself alone. Thus I shall always tell the truth, I hope, and thus I shall improve myself. These pages will reproach me for my changes of mind.”
—Eugène Delacroix (1798–1863)
“When you are writing before there is an audience anything written is as important as any other thing and you cherish anything and everything that you have written. After the audience begins, naturally they create something that is they create you, and so not everything is so important, something is more important than another thing ...”
—Gertrude Stein (1874–1946)