Kyung Hee University is a comprehensive, private, research university encompassing an educational system from kindergarten to graduate school with campuses in Seoul, Suwon, and Gwangneung, Korea Republic. Kyung Hee has 24 colleges, 71 departments and majors, 65 master's and 63 doctorate programs, 18 professional and special graduate schools, and 43 auxiliary research institutions. The university celebrated its sixtieth anniversary in 2009. In 1993 Kyung Hee received the UNESCO Prize for Peace Education. In 2006, Kyung Hee initiated with the University of Pennsylvania the Penn-Kyung Hee Collaborative Summer Program and two years later a formal Global Collaborative with Peking, Ritsumeikan, and Moscow State universities; the United Nations Department of Economic and Social Affairs; and the Conference of NGOs (CoNGO). Kyung Hee's interdisciplinary bio-medical cluster maintains one of the world's leading research programs for the study of oriental medicine and its application to contemporary medical treatment in tandem with Western approaches, including the world's first successful drug-free acupunctural anesthesia demonstration in 1972. As of 2011 Kyung Hee University maintains sister relationships with 402 universities in 68 countries.
Kyung Hee was founded in 1949 by Dr. Young Seek Choue, whose founding philosophy was "Toward a New Civilization." Established in the spirit of internationalization put forth by the United Nations, Kyung Hee has developed a paradigm that emphasizes peace and society engagement predicated on democratic prosperity, culture and welfare. Since its foundation, the university hosted the 1968 conference of the International Association of University Presidents, first proposed in 1981 the UN International Day of Peace, organized the 1999 Seoul International Conference of NGOs, held the 2009 World Civic Forum, ran the 2011 UNAI-Kyung Hee International Symposium, and has spearheaded the Global Common Society movement.
Read more about Kyung Hee University: Medical Center, Ranking
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“It is in the nature of allegory, as opposed to symbolism, to beg the question of absolute reality. The allegorist avails himself of a formal correspondence between “ideas” and “things,” both of which he assumes as given; he need not inquire whether either sphere is “real” or whether, in the final analysis, reality consists in their interaction.”
—Charles, Jr. Feidelson, U.S. educator, critic. Symbolism and American Literature, ch. 1, University of Chicago Press (1953)