Kuldeep Manak - Career

Career

Manak learned music under Ustad Khushi Muhammad Qawwal of Firozpur He left Bathinda and went to Ludhiana to pursue his career as a singer and started singing with the duo Harcharan Grewal and Seema. When they came to Delhi, a music company official spotted Manak and asked him to record the song jija akhian na maar ve main kall di kurhi (written by Babu Singh Maan Mararawala) with Seema. In 1968, at the age of 17, he was given the chance to record the song with Seema. His first record features this song along with laung karaa mittra, machhli paunge maape (written by Gurdev Singh Maan). This record was a runaway success.

Later, he started an office at Bathinda along with writer Dilip Singh Sidhu of Kanakwal, but did not stay there for long and returned to Ludhiana. The first folk song sung by Manak was “maa Mirze di boldi”, followed by, “ohne maut ne waajan maarian”.

The writer and lyricist, Hardev Dilgir (also known as Dev Tharikewala) spotted Manak at one of his live performances and penned many Lok Gathavan (English: old folk stories) for him.

His first EP, Punjab Dian Lok Gathawan, was released by HMV in 1973 which included the 4 songs Jaimal Phatta, Heer Di Kali (Teri Khatar Heere) (Kali), Raja Rasalu and Dulla Bhatti (Dulleya ve tokra chukayeen aanke), all penned by Hardev Dilgir and music composed by Ram Saran Das. This was followed by another Lok Gathawan album in 1974 including Gorakh da Tilla and Allah Bismillah teri Jugni. In 1976 his first LP, Ik Tara, was released including the kali Tere Tille Ton, Chheti Kar Sarwan Bachcha and Garh Mughlane Dian Naaran and more. Further albums included 'Sahiban Da Tarla' (1978), 'Sahiban Bani Bharaawan Di' (1978), 'Maa Hundhi Ae Maa' (1980), 'Akhan ch Najaiz Vikdi', 'Ichhran Dhaahan Maardi' (1981), 'Mehroo Posti' (1982) 'Jugni Yaaran Di' (1983), 'Bhul Jaan Waaliye' (1986), 'Singh Soorme' and 'Do Gabhru Punjab De'. Manak's voice was versatile as within one album he sang in many different pitches and tones to reflect a song's meaning. For example in the album 'Sahiban da Tarla' the songs Sahiban da Tarla, Yaari Yaaran di and Teri aan ma Teri Ranjha are all sang with different pitches.

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