Modern Drama
"Nobar Domsani Kothoma" composed by Nanda Kumar Debbarma was presented by Kokborok Sahitya Sabha in 1983. They also organised a Kokborok Drama Festival from 1988 and exposed many groups and talented artists to the audience. Some of the groups have been awarded at the national level in India. Kokborok Sahitya Sabha also presented a drama "Kwplai" by Nanda Kumar Debbarma at Tezpur, Assam in 1989.
"Lampra" another theatre group started productions in 1990s with the most attractive "Chamari Ompa" Lampra won first prize in Yatra Utsav 1995 with the marvellous production "Chethuang", based on a popular Kokborok folk tale. "Tiyari Drama and Cultural Centre" won second prize in 1996 with "Khumpui". Since then they have produced many popular plays like "Swkal", "Kuchuk Kherembar", "Kuchuk Ha-Sikam" etc. Rubi Debbarma is the pioneer and organising personality of Tiyari.
"Sampili Theatre Centre" formed in 1997 has presented excellent dramas in this short period, including tele-serials such as "Rung", "Imangni Bwsarok", "Longtoraini Eklobyo". All these above mentioned groups are based in Agartala the capital city. Others such as "Khorang" of Mandai, "Dugmali Cultural troupes" of Abhichoran Bazaar are also leading groups.
Read more about this topic: Kokborok Drama
Famous quotes containing the words modern and/or drama:
“I have developed a visionary modern lyric, and, for it, an idiom in which I can write lyrically, colloquially, and dramatically. My subject is city life—with its sofas, hotel corridors, cinemas, underworlds, cardboard suitcases, self-willed buses, banknotes, soapy bathrooms, newspaper-filled parks; and its anguish, its enraged excitement, its great lonely joys.”
—Rosemary Tonks (b. 1932)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)