Theatre
After graduation Cahoon made his Broadway debut in The Who's Tommy. On Broadway he has created the roles of Ed the Hyena in The Lion King directed by Julie Taymor, George in The Wedding Singer, The Childcatcher in Chitty Chitty Bang Bang, as well as the revival of The Rocky Horror Show.
He left his role in The Lion King to standby for John Cameron Mitchell in the title role of Hedwig in Hedwig and The Angry Inch at The Jane Street Theater Off-Broadway, eventually taking over the role and starring as 'Hedwig' in Boston, The Edinburgh Festival in Scotland, and an extended eight month run at The Victoria Theatre in San Francisco. Kevin is also featured in the documentary film Whether You Like It Or Not: The True Story of Hedwig.
Off-Broadway Kevin originated the role of Phil D'Armano in Andrew Lippa's The Wild Party at The Manhattan Theatre Club. After originating the role of Ellard opposite Matthew Broderick in the Roundabout Theatre Company's revival of 'The Foreigner', Cahoon received a Lucille Lortel Award nomination for Outstanding Featured Actor. This past summer Kevin originated the role of Charley/Bobby in The Shaggs: Philosophy of the World at Playwright's Horizon.
For New York's City Center Encore's! Series he has been seen as Woof in Hair and Peter in Babes in Arms and has performed regionally in such theatre's as The Berkshire Theatre Festival, NY Stage and Film, The Zachary Scott Theatre, and portrayed the role of Gus in Garland Wright's production of Babes In Arms at The Guthrie. He has been seen recently in "The Shaggs" off-Broadway at Playwrite's Horizons as Charley/Bobbey.
Kevin recently created the role of Hans Christian Andersen in My Fairytale for California's Pacific Conservatory of the Performing Arts. Original idea & concept by Flemming Enevold, music and lyrics by Stephen Schwartz and book by Philip LaZebnik. Kevin starred in this production in the summer of 2011.
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Famous quotes containing the word theatre:
“Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
—George Eliot [Mary Ann (or Marian)
“The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)