Kendrick Smithyman - A Change in Style

A Change in Style

From 1960 to 1965, Smithyman stopped writing poetry. Smithyman's poetry changed in style at some point or points in the 1960s or very early 1970s, although critics differ as to when the new style started appearing, and they can't pin down the cause. According to Ian Richards, the poem "Flying to Palmerston", which Smithyman wrote in an airport lounge in 1966 and which later became the title piece for the 1968 book, "signalled a new start in a new manner" in the poet's verse. "There is critical consensus that between this poem and his next collection, Earthquake Weather, in 1972, Smithyman's mature style emerged."

Smithyman was promoted to senior tutor at the University of Auckland in 1966, and he held the post until 1987. A six-month stay in 1969 at the University of Leeds as a visiting fellow in Commonwealth literature resulted in travel in Britain and North America, which stimulated many poems. On returning home in 1970, his poetry engaged the landscapes, history and people of his native Northland, as seen in Earthquake Weather, as well as The Seal in the Dolphin Pool (1974), and Dwarf With a Billiard Cue (1978). "Whatever the biographical reasons (travel, maturity, a grown-up family) the next book, Earthquake Weather (1972) is a different kind of book, more like the four volumes that have followed than anything previous", Murray Edmund wrote in 1988. Some of these works became his most admired verse and are his most anthologized poems, including "An Ordinary Day Beyond Kaitaia", "Tomarata", and "Reading the Maps: an Academic Exercise".

Although Smithyman initially seemed to shy away from writing poems about the landscape, he did write some even in his earliest years ("The Bay 1942", "Bream Bay"), and he turned to that subject in some of his later poems. He wrote about his 1969 travels in North America and Britain in 1969 and about his trip to Canada in 1981. Concerning New Zealand, he wrote about Coromandel ("Colville" and "Where Waikawau Stream Comes Out"), Auckland ("About Setting a Jar on a Hill"), the coast around Pirongia ("Bird Bay", "Below Karioi"), and other areas in the Central North Island ("In the Sticks", "Tokaanu"). The Northland came up in his writing quite a bit, with verses about Puhoi, Waipu, Kaitaia, and the area around Dargaville where he grew up. The Bay of Islands and Hokianga sites were mentioned in his posthumous book, Atua Wera.