The Kauffman Center for the Performing Arts is a newly inaugurated performing arts center in downtown Kansas City, Missouri, USA, at 16th and Broadway near the Power & Light District, the Sprint Center and the Crossroads Arts District. Its construction was a major part of the ongoing redevelopment of downtown Kansas City.
The Center was created as a 501(c)(3) non-profit organization. Unlike some other major civic construction projects, no taxpayer funds went into its construction. The City of Kansas City contributed and operates a parking garage adjacent to the Kauffman Center.
It is the performance home to the Kansas City Symphony, the Lyric Opera of Kansas City, and the Kansas City Ballet which in the past performed at the Lyric Theatre (Kansas City, Missouri), eight blocks north of the center. The Kauffman Center houses two unique performance venues: Muriel Kauffman Theatre and Helzberg Hall.
According to its website, the Kauffman Center’s mission is “to enrich the lives of communities throughout the region, country and world by offering extraordinary and diverse performing arts experiences.” The Kauffman Center seeks to fulfill this mission by offering a wide selection of performances, and also by offering specific programs to connect with the youth in the Kansas City area.
Read more about Kauffman Center For The Performing Arts: Performance Facilities, Opening, Partnerships, Education, Arts District Garage
Famous quotes containing the words performing arts, center, performing and/or arts:
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by handa center of gravity.”
—Adrienne Rich (b. 1929)
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“What ails it, intrinsically, is a dearth of intellectual audacity and of aesthetic passion. Running through it, and characterizing the work of almost every man and woman producing it, there is an unescapable suggestion of the old Puritan suspicion of the fine arts as suchof the doctrine that they offer fit asylum for good citizens only when some ulterior and superior purpose is carried into them.”
—H.L. (Henry Lewis)