Creation and Conception
Several characters have been stated to be based on actual people, such as Blackbeard (Marshall D. Teach) and Whitebeard (Edward Newgate) being based on the owner of a bar where Oda used to go, and the famous pirate Blackbeard (Edward Teach). Some other notable examples includes Eustass Kid (Eustace the Monk and William Kidd), X. Drake (Sir Francis Drake), Basil Hawkins (Basil Ringrose and John Hawkins), Capone "Gang" Bege (Al Capone and William Le Sauvage), Trafalgar Law (Edward Low), Jewelry Bonney (Anne Bonny), Urouge (Aruj), Scratchmen Apoo (Chui A-poo), Roronoa Zoro (François l'Olonnais), Sanji & Zeff (Red Legs Greaves), Lafitte (Jean Lafitte), Bartholomew Kuma (Bartholomew Roberts), Captain Morgan (Henry Morgan), Alvida (Awilda), and Bellamy (Samuel Bellamy). The transvestite Emporio Ivankov is based on Dr. Frank N. Furter and Norio Imamura. Norio had asked for Oda to draw more okama characters and became Ivankov's first voice actor.
Oda had created Helmeppo before he created Captain Morgan, Helmeppo's father. Oda originally named Morgan after "Chop," with the character's full title being "Naval Captain Chop" or "Sailor Chop". "Sailor" in Japanese is suihei (水兵?), and "Suihei Chop" is a fighting technique used by Giant Baba, a Japanese wrestler. Oda made several versions of Morgan before settling on the final design. After an editor told Oda that Morgan, in Oda's words, "looked lame", Oda changed Morgan's design to his final style.
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Famous quotes containing the words creation and, creation and/or conception:
“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (1888–1957)
“We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge.”
—Vladimir Nabokov (1899–1977)
“Into all that becomes something inward for men, an image or conception as such, into all that he makes his own, language has penetrated ... logic must certainly be said to be the supernatural element which permeates every relationship of man to nature, his sensation, intuition, desire, need, instinct, and simply by so doing transforms it into something human, even though only formally human, into ideas and purposes.”
—Georg Wilhelm Friedrich Hegel (1770–1831)