Justify My Love - Composition

Composition

Composed as a midtempo song, "Justify My Love" is a trip-hop inspired song. According to the sheet music published at Musicnotes.com by Alfred Publishing, the song is set in common time, with a moderately dance-oriented tempo of 116 beats per minute. It is composed in the key of B major with Madonna's voice ranging from the tonal nodes of A4 to D5. According to Jim Farber from Entertainment Weekly, he described the song's musical beat and Madonna's vocals as "vague, tuneless phrases chanted in Madonna's most breathless voice over a minimal house groove — serves mainly to justify the visuals." In a review for The Immaculate Collection, David Browne said that she introduced an "adult" pop. The song features "heavy breathing with a backbeat." Robert Christgau had compared the song composition to the Erotica music and lyrics. Bill Lamb from About.com said the song is "quite powerful and enthralling in its dreamy, beat heavy celebration of carnal coupling."

Read more about this topic:  Justify My Love

Famous quotes containing the word composition:

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)