Biography
Born Judith Veronica Mowatt in Gordon Town, St. Andrew Parish, Jamaica. At the age of 13 Mowatt became a member of a dance troupe which toured Jamaica and other islands in the Caribbean. Her initial ambition was to become a registered nurse. Her earliest musical influences were Aretha Franklin, Otis Redding, Curtis Mayfield, Dionne Warwick, Bob Marley, Marcia Griffiths, The Staple Singers and The Soulettes. A coincidental meeting with two teenage girls who were earlier in her dance troupe led to the formation of the Gaylettes, in 1967.
Mowatt was associated with Bunny Livingston/Wailer in the early 1970s, and wrote some of the tracks he recorded. At that time, for legal reasons, she used the names Juliann and Jean Watt. On The Wailers album Burnin' (1973), two songs with Bunny Wailer as lead singer were written by Judy Mowatt under the pseudonym Jean Watt: "Hallelujah Time" and "Pass It On". Furthermore, the Wailers recorded a single, "Reincarnated Soul", also written by Jean Watt and sung by Bunny Wailer. This song – with the name changed to "Reincarnated Souls" – was included two years later on Bunny Wailer's first solo album Blackheart Man (1976).
In 1974, she got her big break by joining Bob Marley's backing vocal trio the "I Threes".
Her Black Woman LP (1980) is considered by many critics to be the greatest reggae LP done by a female artiste. It was also the first reggae LP recorded by a woman acting as her own producer.
She became the first female singer nominated for a Grammy Award in the category of reggae music when her Working Wonders LP was nominated in 1985.
Formerly a member of the Rastafari movement, in the late 1990s she converted to Christianity and now sings Gospel music.
In 1999 the Jamaican government made her an Officer of the Order of Distinction for "services to music".
Read more about this topic: Judy Mowatt
Famous quotes containing the word biography:
“The best part of a writer’s biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (1899–1977)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West [Cicily Isabel Fairfield] (1892–1983)