Biography
Born Judith Veronica Mowatt in Gordon Town, St. Andrew Parish, Jamaica. At the age of 13 Mowatt became a member of a dance troupe which toured Jamaica and other islands in the Caribbean. Her initial ambition was to become a registered nurse. Her earliest musical influences were Aretha Franklin, Otis Redding, Curtis Mayfield, Dionne Warwick, Bob Marley, Marcia Griffiths, The Staple Singers and The Soulettes. A coincidental meeting with two teenage girls who were earlier in her dance troupe led to the formation of the Gaylettes, in 1967.
Mowatt was associated with Bunny Livingston/Wailer in the early 1970s, and wrote some of the tracks he recorded. At that time, for legal reasons, she used the names Juliann and Jean Watt. On The Wailers album Burnin' (1973), two songs with Bunny Wailer as lead singer were written by Judy Mowatt under the pseudonym Jean Watt: "Hallelujah Time" and "Pass It On". Furthermore, the Wailers recorded a single, "Reincarnated Soul", also written by Jean Watt and sung by Bunny Wailer. This song – with the name changed to "Reincarnated Souls" – was included two years later on Bunny Wailer's first solo album Blackheart Man (1976).
In 1974, she got her big break by joining Bob Marley's backing vocal trio the "I Threes".
Her Black Woman LP (1980) is considered by many critics to be the greatest reggae LP done by a female artiste. It was also the first reggae LP recorded by a woman acting as her own producer.
She became the first female singer nominated for a Grammy Award in the category of reggae music when her Working Wonders LP was nominated in 1985.
Formerly a member of the Rastafari movement, in the late 1990s she converted to Christianity and now sings Gospel music.
In 1999 the Jamaican government made her an Officer of the Order of Distinction for "services to music".
Read more about this topic: Judy Mowatt
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (1817–1862)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)