Career
Grahn was a member of the Gay Women’s Liberation Group, the first lesbian-feminist collective on the West Coast, founded in 1969. The group established the first women’s bookstore, A Woman’s Place, as well as the first all-woman press, the Woman’s Press Collective, which strived to devote "itself exclusively to work by lesbians disfranchised by race or class". Grahn’s poems circulated in “periodicals, performances, chapbooks, and by word of mouth, and were foundational documents of lesbian feminism.” Her work did not extend to a commercial audience until the late 1970s; however, it garnered a wide underground audience before 1975. Carl Morse and Joan Larkin cite Grahn’s work as “fueling the explosion of lesbian poetry that began in the 70s.”
Grahn's poetry is at times free verse, covering mainly feminist and lesbian subjects and themes. Her works stay true to her working-class roots, covering racism, sexism, classicism, and the struggles of being female and a lesbian. She uses plain language and what the Poetry Foundation describes as an "etymological curiosity that often eschews metaphor in favor of incantation." Grahn does not limit her work to just written poetry, but also collaborates with other artists such as singer-songwriter Anne Carol Mitchell and dancer and choreographer Anne Blethenthal.
Today, Grahn co-edits the online journal Metaformia, a journal about menstruation and women's culture.
Read more about this topic: Judy Grahn
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)