Judith Beheading Holofernes - Gallery

Gallery

  • 12th century French ivory gaming piece

  • Sandro Botticelli, The Return of Judith to Bethulia (1470)

  • Andrea Mantegna, Judith and Holofernes (1490s)

  • Woodcut illustration for the Nuremberg Chronicles, 1493

  • German alabaster figure of c. 1525

  • Sebald Beham engraving of 1547

  • Giorgione, Judith (c. 1505)

  • Michelangelo, Judith carrying away the head of Holofernes, in the Sistine Chapel (1508-1512)

  • Stained glass window, c. 1510-1530

  • Fede Galizia, Judith with the Head of Holofernes 1596

  • Caravaggio, Judith Beheading Holofernes (c. 1598-1599)

  • Giovanni Baglione, Judith and the Head of Holofernes (1608)

  • Artemisia Gentileschi, Judith Slaying Holofernes (c. 1612)

  • Carlo Saraceni, Judith and the head of Holofernes (c. 1615)

  • Antiveduto Grammatica, Judith with the Head of Holofernes (1620-1625)

  • Francisco Goya, Judith and Holofernes (1819-23)

  • August Riedel, Judith (1840)

  • Paul Albert Steck, Judith, around 1900

  • Gustav Klimt, Judith I (1901)

  • Gustav Klimt, Judith II (1909)

Read more about this topic:  Judith Beheading Holofernes

Famous quotes containing the word gallery:

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)