Plot
On the outskirts of a wind-swept Arizona cattle town, an aggressive and strong-willed saloonkeeper named Vienna maintains a volatile relationship with the local cattlemen and townsfolk. Not only does she support the railroad being laid nearby (the cattlemen oppose it), but she permits "The Dancin' Kid" (her former amour) and his confederates to frequent her saloon. The locals, led by McIvers but egged on by Emma Small, a onetime love rival of Vienna's, are determined to force Vienna out of town, and the hold-up of the stage (they suspect erroneously by "The Dancin Kid") offers a perfect pretext. Vienna faces them down, helped by the mysterious and just arrived Johnny Guitar. He turns out to be her ex-lover and a reformed gunslinger whose real name is Johnny Logan. Their smouldering love/hate relationship develops until McIvers gives Vienna, Johnny Guitar and "The Dancin Kid" and his sidekicks 24 hours to leave.
The Dancin' Kid and his gang rob the town bank to fund their escape to California, but the pass is blocked by a railroad crew dynamiting a way in, and they flee back to their secret hideout behind a waterfall. Emma Small convinces the townsfolk that Vienna is as guilty as the rest and the posse ride to her saloon. Vienna appears to be getting the best of another verbal confrontation when one of the wounded bank robbers is discovered under a table. Emma persuades the men to hang Vienna, and burns the saloon down. At the last second Vienna is saved by Johnny Guitar.
Vienna and Johnny escape the posse and find refuge in The Dancin' Kid's secret hideaway. The posse tracks them down and The Kid and his men are killed. Emma challenges Vienna to a showdown. Vienna is wounded in the duel, but she manages to kill Emma. A halt is called to the bloodbath by the posse's leader, McIvers. Vienna and Johnny depart, hopeful that better days lie ahead.
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Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)