Music
From Charles Villiers Stanford, Ireland inherited a thorough knowledge of the music of Beethoven, Brahms and other German classical composers, but as a young man he was also strongly influenced by Debussy and Ravel as well as by the earlier works of Stravinsky and Bartók. From these influences, he developed his own brand of "English Impressionism", related more closely to French and Russian models than to the folk-song style then prevailing in English music.
Like most other Impressionist composers, Ireland favoured small forms and wrote neither symphonies nor operas, although his Piano Concerto is among his best works. His output includes some chamber music and a substantial body of piano works, including his best-known piece The Holy Boy, known in numerous arrangements. His songs to poems by A. E. Housman, Thomas Hardy, Christina Rossetti, John Masefield, Rupert Brooke and others, are a valuable addition to English vocal repertoire. Due to his job at St Luke's Church, he also wrote hymns, carols, and other sacred choral music; among choirs he is probably best known for the anthem Greater love hath no man, often sung in services that commemorate the victims of war. The hymn tune My Song Is Love Unknown is sung in churches throughout the English-speaking world, as is his Communion Service in C major. He appears as pianist in a recording of his Fantasy Sonata for Clarinet and Piano with Frederick Thurston, and his Violin Sonata No. 1 (of 1909) with Frederick Grinke, who performed and recorded several of his chamber works.
Ireland also wrote the score for the Australian film The Overlanders (his only film score), from which an orchestral suite was extracted posthumously by Charles Mackerras. Some of his pieces, such as the popular A Downland Suite and Themes from Julius Caesar, were completed or re-transcribed after his death by his student Geoffrey Bush.
Read more about this topic: John Ireland (composer)
Famous quotes containing the word music:
“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)
“A man in all the world’s new fashion planted,
That hath a mint of phrases in his brain.
One who the music of his own vain tongue
Doth ravish like enchanting harmony.”
—William Shakespeare (1564–1616)
“The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
—Hubert H. Humphrey (1911–1978)