Music
All of Browne's surviving works are found in the earlier folios of the Eton Choirbook, dating from between 1490 and 1500. According to the index of the Choirbook, ten more Browne compositions were originally published; five of these compositions have been lost, while two survive in fragmentary form.
Browne's music is notable for its varied and unusual vocal instrumentation; each of his surviving works calls for a unique array of voices, with no two compositions sharing a given ensemble scoring. A prime example of Browne's penchant for unorthodox groupings is his six-voice antiphon Stabat iuxta, scored for a choir of four tenors and two basses. His choral music often displays careful treatment of the dramatic possibilities of the text and expressive use of imitation and dissonance; the aforementioned Stabat iuxta, in particular, has been noted for its "dense, almost cluster chords" and "harsh" false relations.
Read more about this topic: John Browne (composer)
Famous quotes containing the word music:
“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (1889–1963)
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
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Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
“Music, ho, music such as charmeth sleep!”
—William Shakespeare (1564–1616)