Music
All of Browne's surviving works are found in the earlier folios of the Eton Choirbook, dating from between 1490 and 1500. According to the index of the Choirbook, ten more Browne compositions were originally published; five of these compositions have been lost, while two survive in fragmentary form.
Browne's music is notable for its varied and unusual vocal instrumentation; each of his surviving works calls for a unique array of voices, with no two compositions sharing a given ensemble scoring. A prime example of Browne's penchant for unorthodox groupings is his six-voice antiphon Stabat iuxta, scored for a choir of four tenors and two basses. His choral music often displays careful treatment of the dramatic possibilities of the text and expressive use of imitation and dissonance; the aforementioned Stabat iuxta, in particular, has been noted for its "dense, almost cluster chords" and "harsh" false relations.
Read more about this topic: John Browne (composer)
Famous quotes containing the word music:
“If I could believe the Quakers banned music because church music is so damn bad, I should view them with approval.”
—Ezra Pound (1885–1972)
“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)