Work
Tower's early music seems to reflect the influences of her mentors at Columbia University and is rooted in the serialist tradition, whose sparse texture complimented her interest in chamber music. As she developed as a composer Tower began to gravitate towards the work of Olivier Messiaen and George Crumb and broke away from the strict serialist model. Her work became more colorful and has often been described as impressionistic. She often composes with specific ensembles or soloists in mind, and aims to exploit the strengths of these performers in her composition.
Among her most notable work is Tower's five part Fanfare for the Uncommon Woman, each dedicated to 'women who are adventurous and take risks'. Inspired by Aaron Copland's Fanfare for the Common Man, the fanfares are scored for 3 trumpets, 4 horns, 3 trombones, tuba and percussion. The first fanfare was debuted in 1987 and conducted by Hans Vonk. For the second fanfare, which premiered in 1989, Tower added one percussion while the third, debuted in 1991 was scored for a double brass quintet, and the fourth was scored for a full orchestra. The fifth, and final, portion of Fanfare for the Uncommon Woman was commissioned for the Aspen Music Festival in 1993 and was written specifically for Joan Harris.
Read more about this topic: Joan Tower
Famous quotes containing the word work:
“[T]he judicious reader ought to know what the chief character in any work of the imagination will naturally perform, according to the situation he is thrown into, as well as doth the author himself.”
—Sarah Fielding (1710–1768)
“I do not want to be covetous, but I think I speak the minds of many a wife and mother when I say I would willingly work as hard as possible all day and all night, if I might be sure of a small profit, but have worked hard for twenty-five years and have never known what it was to receive a financial compensation and to have what was really my own.”
—Emma Watrous, U.S. inventor. As quoted in Feminine Ingenuity, ch. 8, by Anne L. MacDonald (1992)
“To be sure, a good work of art can and will have moral consequences, but to demand of the artists moral intentions, means ruining their craft.”
—Johann Wolfgang Von Goethe (1749–1832)