Work
Tower's early music seems to reflect the influences of her mentors at Columbia University and is rooted in the serialist tradition, whose sparse texture complimented her interest in chamber music. As she developed as a composer Tower began to gravitate towards the work of Olivier Messiaen and George Crumb and broke away from the strict serialist model. Her work became more colorful and has often been described as impressionistic. She often composes with specific ensembles or soloists in mind, and aims to exploit the strengths of these performers in her composition.
Among her most notable work is Tower's five part Fanfare for the Uncommon Woman, each dedicated to 'women who are adventurous and take risks'. Inspired by Aaron Copland's Fanfare for the Common Man, the fanfares are scored for 3 trumpets, 4 horns, 3 trombones, tuba and percussion. The first fanfare was debuted in 1987 and conducted by Hans Vonk. For the second fanfare, which premiered in 1989, Tower added one percussion while the third, debuted in 1991 was scored for a double brass quintet, and the fourth was scored for a full orchestra. The fifth, and final, portion of Fanfare for the Uncommon Woman was commissioned for the Aspen Music Festival in 1993 and was written specifically for Joan Harris.
Read more about this topic: Joan Tower
Famous quotes containing the word work:
“It is impossible to enjoy idling thoroughly unless one has plenty of work to do. There is no fun in doing nothing when you have nothing to do. Wasting time is merely an occupation then, and a most exhausting one. Idleness, like kisses, to be sweet must be stolen.”
—Jerome K. Jerome (1859–1927)
“Heaven has its business and earth has its business: those are two separate things. Heaven, that’s the angels’ pasture; they are happy; they don’t have to fret about food and drink. And you can be sure that they have black angels to do the heavy work like laundering the clouds or sweeping the rain and cleaning the sun after a storm, while the white angels sing like nightingales all day long or blow in those little trumpets like they show in the pictures we see in church.”
—Jacques Roumain (1907–1945)
“The pleasure of life is according to the man that lives it, and not according to the work or the place.”
—Ralph Waldo Emerson (1803–1882)