Composition
"Jeremy" is in the key of A, and intertwines the parallel modes of major and minor frequently. It features prominent usage of Ament's 12-string Hamer bass guitar, which is pivotal to the sound of the introduction and end of the recording. The song starts off with the bassline and quiet harmonic notes also on the 12-string bass, and continues in a sedate vein until after the second chorus, when densely layered guitars and vocals gradually enter. At the end the instruments gradually fade out until all that is audible is a clean guitar and the 12-string bass, like the intro. Both instruments play a descending minor key melody, fading out with one single note.
Read more about this topic: Jeremy (song)
Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)