Plot
500 years ago in the Joseon Dynasty. The Pipe of the prophecy has fallen into the evil hands of the goblins, propelling the world into a whirlwind of disorder. The ancient Taoist wizards turn to the greatest ascetics of their time, the Master (Baek Yoon-sik) and Hwadam (Kim Yoon-seok) for help in vanquishing the goblins and trust each wizard with one half of the Pipe. Meanwhile, the Master’s rascal student Jeon Woochi (Kang Dong-won) tricks the king with the art of transformation and creates a fiasco, which makes the three Taoist wizards and Hwadam visit the Master. But they find the Master murdered and his half of the Pipe missing. Woochi is framed for the murder, and as punishment he and his trusty dog Chorangyi (Yoo Hae-jin) are imprisoned inside a scroll by the wizards.
Seoul, 2009. For some strange reason, goblins that had been sealed up in the past begin to appear one by one, wreaking havoc on the city. The three Taoist wizards had been enjoying their years of retirement as a priest, a monk, and a shaman, while Hwadam has long disappeared in order to polish his Taoist art. After much discussion, the three wizards unseal the scroll and call forth Jeon Woochi and Chorangyi. Being offered freedom in return for catching the goblins, Woochi sets out on his task. But what began as a hunt for goblins slowly turns into Woochi's personal sightseeing expedition of the modern-day world. And to top it off, he meets a woman with the same face as the one that had captivated him so many centuries ago (Im Soo-jung). Together with Seo In-kyung (his new, yet old love), Woochi begins his adventure.
Read more about this topic: Jeon Woo Chi
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)