Musical Career
They began their career in 1992, composing music for the Hindi movie Yaara Dildara and the famous soundtrack of the movie was " Bin Tere Sanam... ". They were first noticed for their work on the soundtrack of the movie Khiladi and for "Pehla Nasha", a romantic song from the movie Jo Jeeta Wohi Sikander. Their compositions are strongly influenced by R. D. Burman's style of music making. Towards the second half of the nineties, they were among the most sought after music directors in the Indian film industry.
The duo has worked with a variety of lyricists and singers including Javed Akhtar, Anand Bakshi, Udit Narayan, Alka Yagnik and Kumar Sanu. During the last few years of their joint career, their music albums contained several songs composed by other musicians. This practice was not liked by Jatin-Lalit; however, the producer and director insisted on it. In Karan Johar's Kabhi Khushi Kabhie Gham two of the tracks were composed by Sandesh Shandilya. In Chalte Chalte, Aadesh Shrivastava composed several songs. Also in Pyaar Kiya To Darna Kya, one song was composed by Himesh Reshammiya and Sajid-Wajid.
They were also some of the first composers to write songs performed by Bollywood film stars rather than playback singers. They specially composed "Aati Kya Khandala" in the film Ghulam for the lead actor Aamir Khan. They also composed a song for Sanjay Dutt to sing in the movie Khoobsurat.
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Famous quotes containing the words musical and/or career:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)