Work
A pupil of Hans Hofmann, Jane Frank can in much of her work be categorized stylistically as an abstract expressionist, but one who draws primary inspiration from the natural world, particularly landscape — landscape "as metaphor", she once explained. Her later painting refers more explicitly to aerial landscapes, while her sculpture tends toward minimalism. Chronologically and stylistically, Jane Frank's work in totality straddles both the modern and the contemporary (even postmodern) periods. She referred to her works generally as "inscapes".
Jane Frank's paintings and mixed media works on canvas are in the collections of the Corcoran Gallery of Art ("Amber Ambience", 1964), the Smithsonian American Art Museum ("Frazer's Hog Cay #18", 1968; image link here), the Baltimore Museum of Art ("Winter's End", 1958), the Herbert F. Johnson Museum of Art at Cornell University ("Red Painting", 1966), the Arkansas Arts Center (AAC: image here) in Little Rock ("Web Of Rock", 1960), and the Evansville Museum ("Quarry III", 1963). Her works are in many other public, academic, corporate, and private collections.
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“Enough if the work has seemed,
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A dream that a lion had dreamed
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“But the doctrine of the Farm is merely this, that every man ought to stand in primary relations to the work of the world, ought to do it himself, and not to suffer the accident of his having a purse in his pocket, or his having been bred to some dishonorable and injurious craft, to sever him from those duties.”
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