J. D. Beresford - Works

Works

  • The Early History of Jacob Stahl (1911) trilogy of novels includes A Candidate for Truth and The Invisible Event
  • The Hampdenshire Wonder (1911) novel
  • A Candidate for Truth (1912)
  • Goslings: A World of Women (1913) novel
  • The House in Demetrius Road (1914) novel
  • The Invisible Event (1915) novel
  • H. G. Wells (1915) criticism
  • These Lynneskers (1916) Novel
  • William Elphinstone Ford (1917) biography, with Kenneth Richmond
  • House Mates (1917) Novel
  • Nineteen Impressions (1918) stories
  • God's Counterpoint (1918)Novel
  • The Jervaise Comedy (1919)Novel
  • The Imperfect Mother (1920) Novel
  • Signs and Wonders (1921, Golden Cockerel Press) stories
  • Revolution (1921) novel
  • The Prisoner of Hartling (1922) Novel
  • The Imperturbable Duchess and Other Stories (1923)
  • Monkey Puzzle (1925)
  • That Kind of Man, or Almost Pagan (1926)Novel
  • The Instrument of Destiny (1928) a mystery novel
  • All or Nothing (1928) novel
  • Real People (1929) novel
  • The Meeting Place and Other Stories (1929)
  • Love's Illusion (1930)
  • The Next Generation (1932) novel
  • The Old People (1932) Novel
  • The Camberwell Miracle (1933) novel
  • Peckover (1934) novel
  • On a Huge Hill (1935) novel
  • Blackthorn Winter and other stories (1936)
  • The Decoy (1937) Novel
  • Cleo (1937) Novel
  • What Dreams May Come (1941) novel
  • A Common Enemy (1941) novel
  • Men in the Same Boat (1943) (with Esme Wynne-Tyson)
  • The Riddle of the Tower (1944) (with Esme Wynne-Tyson)
  • The Gift (1947) (with Esme Wynne-Tyson)
  • The Prisoner
  • Love's Pilgrim

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Famous quotes containing the word works:

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
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    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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