Gallery
-
Marie Petipa (daughter of Marius Petipa) as the Lilac Fairy (costumed for Act II) in Wsevolojskoy's costume for the Petipa/Tchaikovsky The Sleeping Beauty (1890) -
Anna Johansson (daughter of Christian Johansson) as Canari qui Chante with two unidentified suitors in Wsevolojskoy's costumes for the Petipa/Tchaikovsky The Sleeping Beauty (1890) at the Mariinsky Theatre -
The original dancers costumed in Wsevolojskoy's designs for The Sleeping Beauty (1890) at the Mariinsky Theatre -
Stanislava Belinskaya as Clara, Lydia Rubtsova as Marianna, and Vasiliy Stulkolkin as Fritz cotumed in Wsevolojskoy's costumes designs for the Ivanov/Petipa/Tchaikovsky The Nutcracker (1892) -
Vsevolozhsky's costume sketch for Nutcracker.jpg
Wsevolojskoy's sketch of a costume design for the Dance with Little Fifes (AKA Dance of the Mirlitons) from Act II of the Ivanov/Petipa/Tchaikovsky The Nutcracker (1892) -
Vsevolozhsky's design for Nutcracker.jpg
Wsevolojskoy's sketch of his costume designs for Mother Gigone, her Children, and the Buffooons from Act II of the Ivanov/Petipa/Tchaikovsky The Nutcracker (1892) -
Marie Petipa as the Lilac Fairy (costumed for the Prologue) with Lyubov Vishnevskaya as her attendant in Vsevolozhsky's costume designs form the Petipa/Tchaikovsky The Sleeping Beauty (1890)
| Dance portal |
Read more about this topic: Ivan Vsevolozhsky
Famous quotes containing the word gallery:
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (1825–95)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (1817–1862)