Composition
Stimson himself was chairman. The other members were: James F. Byrnes, former US Senator and soon to be Secretary of State, as President Truman's personal representative; Ralph A. Bard, Under Secretary of the Navy; William L. Clayton, Assistant Secretary of State; Vannevar Bush, Director of the Office of Scientific Research and Development and president of the Carnegie Institution; Karl T. Compton, Chief of the Office of Field Service in the Office of Scientific Research and Development and president of Massachusetts Institute of Technology; James B. Conant, Chairman of the National Defense Research Committee and president of Harvard University; and George L. Harrison, an assistant to Stimson and president of the New York Life Insurance Company. Harrison chaired the committee when Stimson was absent, but Byrnes, as the President's personal representative, was probably its most influential member.
The Interim Committee held its first meeting on 9 May 1945. Stimson began by outlining its broad terms of reference, which included advising the President on wartime controls and the release of information, and making recommendations on post-war controls and policies related to nuclear energy, including legislation. The Interim Committee was not specifically charged with making recommendations on the military use of nuclear weapons but the composition of the committee and the close relationship between the wartime use of nuclear weapons and post-war policies regarding them inevitably led to the Interim Committee's involvement.
Read more about this topic: Interim Committee
Famous quotes containing the word composition:
“Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.”
—Walt Whitman (1819–1892)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)