Museum of Contemporary Native Arts
In 1991, The Institute of American Indian Arts Museum (now called the Museum of Contemporary Native Arts) is founded by the Institute of American Indian Arts in Santa Fe, as the only museum to focus on contemporary intertribal Native American art. IAIA operates the Museum of Contemporary Native Arts, which is housed in the historic Santa Fe Federal Building (the old Post Office), a landmark Pueblo Revival building listed on the National Register of Historic Places. The museum, which showcases work by Native artists, features the Allan Houser Sculpture Garden. The museum houses the 7,000+ piece National Collection of Contemporary Indian Art.
-
Performance art piece by Rulan Tangen at the Museum of Contemporary Native Art (2010)
-
Performance by Wayne Gaussoin at the Museum of Contemporary Native Art
Read more about this topic: Institute Of American Indian Arts
Famous quotes containing the words museum of, museum, contemporary, native and/or arts:
“I have no connections here; only gusty collisions,
rootless seedlings forced into bloom, that collapse.
...
I am the Visiting Poet: a real unicorn,
a wind-up plush dodo, a wax museum of the Movement.
People want to push the buttons and see me glow.”
—Marge Piercy (b. 1936)
“Flower picking.”
—Hawaiian saying no. 2710, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable in contemporary writing, can spring openly from some rotted substance within our civilization ...”
—Ellen Glasgow (1873–1945)
“It could probably be shown by facts and figures that there is no distinctly native American criminal class except Congress.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)