Production
By season 8, the show had begun to explore episodes centering around secondary characters. Reverend Lovejoy was selected for this episode because, aside from being noted as "the priest who didn't care", he had not had much character development. This was the first episode that Donick Cary has written for The Simpsons. He was disappointed that his first story was about "Marge's crisis with faith." The trip to the dump was inspired by Donick Cary's youth, in which he would often go "dump picking". This led to the writers deciding to have Homer's face on a discarded box, which became the Mr. Sparkle subplot. To help create the advertisement, the writers watched videos of many Japanese commercials. An original scene from Lovejoy's flashback showed that Jasper Beardley preceded him as minister of the First Church of Springfield. The solution for how Mr. Sparkle resembles Homer was written by George Meyer, after hours of time had been spent trying to come up with a realistic ending. Matsumura Fishworks was named after Ichiro Matsumura, a friend of David X. Cohen.
Read more about this topic: In Marge We Trust
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)