Imprint Records - History

History

Roy Wunsch, a former CEO of Sony Music Nashville, founded the label in 1994 with Bud Schaetzle. Imprint was the first independent country record label to be listed as a publicly traded company on NASDAQ.

Its first release was Gretchen Peters' 1996 disc The Secret of Life. Peters, The GrooveGrass Boyz, Bob Woodruff and Jeff Wood charted singles for the label between 1996 and 1997, with the latter two also releasing albums. The GrooveGrass Boyz had the most commercially successful release for the label, selling more than 80,000 copies of a country version of "Macarena". Al Anderson of NRBQ and Canadian country singer Charlie Major also recorded one album each for the label.

In July 1997, label president Bud Schaetzle announced that the label's operations were put "on hold". He began a new company, Imprint Entertainment, which specialized in film and television production. At the time of the label's closure, The GrooveGrass Boyz, Wood, Woodruff, and Ryan Reynolds were the only acts on the roster. Reynolds was in the process of recording his debut album Rose City, which was never released. At the point of its closure, Imprint had made less than $200,000 in revenue, despite investing more than $1 million in the albums it had shipped.

Read more about this topic:  Imprint Records

Famous quotes containing the word history:

    The history of a soldier’s wound beguiles the pain of it.
    Laurence Sterne (1713–1768)

    Only the history of free peoples is worth our attention; the history of men under a despotism is merely a collection of anecdotes.
    —Sébastien-Roch Nicolas De Chamfort (1741–1794)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)