Raising Government Awareness That Architecture Is A Cultural Product
Working as Architectural Advisor to the Lord Chancellor (1999–2004), Ian Ritchie had a central role in helping to formulate procurement and design quality policy within the Lord Chancellor’s Department for all new court buildings. This includes Magistrate, County, Crown and new Civil Justice Centres, including the award winning Manchester CJC. Supported by the Lord Chancellor, the policy aim was to establish the Lord Chancellor’s Department as an exemplar of design standards that other Ministries would recognise and emulate.
Ian Ritchie has spoken at National and International conferences on current UK mechanisms to improve the quality of our built environment.
Ian Ritchie was CABE’s first Emeritus Commissioner representing CABE at international seminars and conferences.
Read more about this topic: Ian Ritchie (architect)
Famous quotes containing the words raising, government, awareness, architecture, cultural and/or product:
“The primary function of myth is to validate an existing social order. Myth enshrines conservative social values, raising tradition on a pedestal. It expresses and confirms, rather than explains or questions, the sources of cultural attitudes and values.... Because myth anchors the present in the past it is a sociological charter for a future society which is an exact replica of the present one.”
—Ann Oakley (b. 1944)
“Democracy means government by the uneducated, while aristocracy means government by the badly educated.”
—Gilbert Keith Chesterton (1874–1936)
“The toddler’s wish to please ... is a powerful aid in helping the child to develop a social awareness and, eventually, a moral conscience. The child’s love for the parent is so strong that it causes him to change his behavior: to refrain from hitting and biting, to share toys with a peer, to become toilet trained. This wish for approval is the parent’s most reliable ally in the process of socializing the child.”
—Alicia F. Lieberman (20th century)
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)
“Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and superseded by elements of lower quality.”
—Johan Huizinga (1872–1945)
“[As teenager], the trauma of near-misses and almost- consequences usually brings us to our senses. We finally come down someplace between our parents’ safety advice, which underestimates our ability, and our own unreasonable disregard for safety, which is our childlike wish for invulnerability. Our definition of acceptable risk becomes a product of our own experience.”
—Roger Gould (20th century)