Iakovos Kambanelis - Theatre

Theatre

Year Transliteration Title Performed at
1950 Choros pano sta stachya Χορός πάνω στα στάχυα
Dance upon the Cobs
Ad. Lemos Company
1955–56 Evdomi imera tis dimourgias Έβδομη μέρα της δημιουργίας
Seventh Day of Creation
National Theatre, 2nd stage
1957 Aftos kai to panteloni tou Αυτός και το παντελόνι του
This Man and His Trowsers
Vassilis Diamantopoulos
1957 Kryfi zoi/Krifi zoi Κρυφή ζωή
Secret Life
Vas. Diamantopoulos
1957–58 I Avli ton Thavmaton Αυλή των Θαυμάτων
The Backyard of Miracles
Art Theatre
1958–59 I ilikia tis nihtas Η ηλικία της νύχτας
The Age of Night
Art Theatre
1959 O Gorillas ke i Ortansia Ο Γορίλας και η Ορτανσία
The Gorilla and the Hydrangea
E. Vertis Theatrical Company
1959–60 Paramythi choris onoma Παραμύθι χωρίς Όνομα
A Taile without a Name
New Vas. Diamantopoulos Theatre
1963–64 Geitonia ton angelon Γειτονιά των αγγέλων
Neighborhood of Angels
Karezis Company
1966–67 Viva Aspasia Βίβα Ασπασία Karezis Company
1966–67 Odissea yirise spiti Οδυσσέα γύρισε σπίτι
Ulysses, return to the Home
Art Theatre
1970–71 Apikia ton timorimenon Αποικία των τιμωρημένων
Colony of the Punished
Rialdis Experimental Theatre
1971–72 Aspasia Ασπασία Karezis-Kazakou Company
1972–73 To megalo mas tsirko Το μεγάλο μας τσίρκο
Our Great Circus
Karezis-Kazakou Theatre
1974 To kouki kai to revythi Το κουκί και το ρεβύθι
The Chickpea and the Broad Beana
Karezis-Kazakou Theatre
1975 O echthros (ehthros) Laos Ο εχθρός λαός
The Rival People
Karezis-Kazakos Company
1976–77 Prossopa yia violi ke orhistra Πρόσωπα για βιολί και ορχήστρα
Principes For Violin And Orchestra
Art Theatre
1978–79 Ta tessera podia tou trapeziou Τα τέσσερα πόδια του τραπεζιού
The Four Legs of the Table
Art Theatre
1981 O babas o polemos Ο μπαμπάς ο πόλεμος
Our Daddy, the War
Art Theatre
1988 O aoratos Thiasos Ο αόρατος Θίασος
The Invisible Company
National Theatre

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Famous quotes containing the word theatre:

    The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.
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    Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.
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