Characteristics of Complete Works and Monumental Editions
Publication of these multi-volume series is usually spread over many years, sometimes decades. Depending on the financial state of the publisher, some projected sets are never finished, and some sets are taken over by other publishers. There are often different editors for individual volumes, with a general editor or committee of editors to oversee the entire series. Complete Works series are often organized by genre, for example grouping all symphonies together, or all piano sonatas. Several of the complete works sets have complicated, multi-tiered systems for numbering the volumes. Monumental Editions have varying organizational schemes, but several of them include numerous sub-series, some of which are devoted to the music of single composers.
These publications are often sponsored by musicological research bodies or by civic organizations. Many of these endeavors also value international cooperation, creating editorial boards that include scholars from various countries.
Read more about this topic: Historical Editions (music)
Famous quotes containing the words characteristics of, complete, works, monumental and/or editions:
““What are the characteristics of today’s world so that one may recognize it by them?” It pays pensions and borrows money: credit and monuments.”
—Franz Grillparzer (1791–1872)
“What I expect from my male friends is that they are polite and clean. What I expect from my female friends is unconditional love, the ability to finish my sentences for me when I am sobbing, a complete and total willingness to pour their hearts out to me, and the ability to tell me why the meat thermometer isn’t supposed to touch the bone.”
—Anna Quindlen (20th century)
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“I had a monumental idea this morning, but I didn’t like it.”
—Samuel Goldwyn (1882–1974)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)