Leroy Street Studio and Ground Up
In 1998, architecture firm Leroy Street Studio (LSS) was approached by East New York Urban Youth Corp to collaborate on an affordable housing project and Community Center in Brooklyn. LSS joined the Brooklyn non-profit and worked with future tenants and community members to redesign the public spaces, then collaborated with local artists to work in fabricating these elements. The project’s success inspired the later formation of HSC to work with communities in need on design-build projects. In 2001, LSS relocated to Hester Street in New York City’s Chinatown. Across the street was the public Sun Yat Sen middle school, or M.S. 131. Architects from LSS approached the school to work with students to design and build a new garden in the neglected front yards. Over two years, an architectural education program was linked to M.S. 131’s core curriculum. The program, later named Ground Up, introduced students to architectural concepts through design exercises and workshops culminating in a campus or community improvement project. The Ground Up program encourages students to transform the quality of life in their schools and their neighborhoods, integrating elements of the academic curriculum into nonverbal, accessible, hands-on projects. HSC’s educational programs meet New York State learning standards and benchmarks for arts education.
Read more about this topic: Hester Street Collaborative
Famous quotes containing the words street, studio and/or ground:
“I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, “Cousin Harriet, here is the Boston Evening Transcript.””
—T.S. (Thomas Stearns)
“Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.”
—Lillian Gish (1896–1993)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)