Criticism
Like many of Euripides' tragedies, Herakles consists of two parts. Having been raised to the height of triumph when he kills Lycus, Herakles is then driven to the depths of despair by Madness. There is no real connection between the two parts, and for this reason, the play is often criticized for lack of unity.
Courage, endurance and nobility are the themes of this play. Megara in the first half of the play and Herakles in the second are innocent victims of powerful, authoritative forces they cannot defeat. The spiteful, irrational nature of Hera's jealous plot against Herakles can be seen to mirror Euripides' notion of an indifferent world ruled by chance. Herakles' reactions also carry a message for men to rely on themselves, not on the hope of divine authority and wisdom—that the concept of moral goodness operates in humanity alone. Herakles must learn to recognise and live with the fact that violence and madness are part of his nature and only he has the right to forgive what he has done.
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Famous quotes containing the word criticism:
“Good criticism is very rare and always precious.”
—Ralph Waldo Emerson (18031882)
“The aim of all commentary on art now should be to make works of artand, by analogy, our own experiencemore, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“A friend of mine spoke of books that are dedicated like this: To my wife, by whose helpful criticism ... and so on. He said the dedication should really read: To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harpers instead of The Hardware Age.”
—Brenda Ueland (18911985)