Henry II of England - Appearance and Personality

Appearance and Personality

Henry was said by chroniclers to be good-looking, red-haired, freckled, with a large head; he had a short, stocky body and was bow-legged from riding. Often he was scruffily dressed. Not as reserved as his mother Matilda, nor as charming as his father Geoffrey, Henry was famous for his energy and drive. He was also infamous for his piercing stare, bullying, bursts of temper and, on occasion, his sullen refusal to speak at all. Some of these outbursts, however, may have been theatrical and for effect. Henry was said to understand a wide range of languages, but spoke only Latin and French. In his youth Henry enjoyed warfare, hunting and other adventurous pursuits; as the years went by he put increasing energy into judicial and administrative affairs and became more cautious, but throughout his life he was energetic and frequently impulsive.

Henry had a passionate desire to rebuild his control of the territories that his grandfather, Henry I, had once governed. He may well have been influenced by his mother in this regard, as Matilda also had a strong sense of ancestral rights and privileges. Henry took back territories, regained estates and re-established influence over the smaller lords that had once provided what historian John Gillingham describes as a "protective ring" around his core territories. He was probably the first king of England to use a heraldic design: a signet ring with either a leopard or a lion engraved on it. The design would be altered in later generations to form the royal seal of England.

Read more about this topic:  Henry II Of England

Famous quotes containing the words appearance and, appearance and/or personality:

    When appearance and reality coincide, philosophy and literary criticism find themselves with nothing to say.
    Mason Cooley (b. 1927)

    When appearance and reality coincide, philosophy and literary criticism find themselves with nothing to say.
    Mason Cooley (b. 1927)

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)