Street Photography
A characteristic of Bond's style is his pastiche and appropriation of familiar types of photograph, for example, writing in Frieze, Ben Seymour said, "Bond carries on producing images of a homogenised, outside-less culture in a perpetual present of consumption which may be just ahead of, or self-consciously behind - but always deliberately in between - the conventions of advertising, fashion, surveillance or family photographs." Bond has also considered his work in relation to the dérive - literally: "drifting" - theorised by Guy Debord and the city walks of the flâneur or psychogeographer.
Characterizing his conception of street photography, in a 1998 interview, Bond said: " is parallel to the psychoanalytic session, in that anything can be mentioned." Bond began his street photography in the late-1990s and continued for approximately ten years concluding with his Interiors in 2005. Monograph books of Bond's street photography include two published in Germany - Point and Shoot (Ostfildern: Cantz) and La vie quotidienne (Essen: 20/21).
Read more about this topic: Henry Bond
Famous quotes containing the words street and/or photography:
“The American father ... is never seen in London. He passes his life entirely in Wall Street and communicates with his family once a month by means of a telegram in cipher.”
—Oscar Wilde (1854–1900)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)