Plot
Written by John Enbom, the plot of "Heavy Metal" consists of two non-intersecting storylines.
Suspicious of a redirected shipment of refined coltan, Cameron, Sarah, and John discover another Terminator (Brian Bloom) hoarding the metal—an essential component of Terminator construction—in preparation for its use in the future war. Dealing with this new threat focuses on John and Sarah's differing tactics; whereas Sarah is more concerned with John's safety and decides they should ignore this new development, John feels that despite the lack of any apparent threat to himself, they have a responsibility to deal with this new Terminator. John ultimately defies his mother and follows the Terminator to a military bunker where it stores the coltan, seals itself (and John) in, and goes into a "standby mode". Sarah and Cameron successfully retrieve John and the coltan, sealing the Terminator inside. After driving the truck with the coltan into the ocean, it's revealed that Cameron kept a bar of the metal without the others' knowledge.
On a Friday evening, Cromartie forces Dr. Lyman, a plastic surgeon, to sculpt his face into the same as another patient the doctor had already treated—unemployed actor, George Lazlo (Garret Dillahunt); after receiving his surgery Cromartie kills the doctor and leaves. The recurring Agent Ellison arrives on the murder scene as it's tied to his previous cases by Cromartie's mysterious faux blood. Investigating the real Mr. Lazlo, his blood does not match that at the scenes, and he is released by the FBI only to be killed and replaced by the doppelgänger Cromartie.
Read more about this topic: Heavy Metal (Terminator: The Sarah Connor Chronicles)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)