Second album by rock and roll singer-songwriter Graham Parker. A close follow-up to the debut album, Howlin' Wind, Heat Treatment was well received by critics and contains signature Parker songs like the rollicking title track, "Pourin' It All Out", and "Fool's Gold". "That's What They All Say" is a Dylan-esque putdown from a realist perspective, while "Turned Up Too Late" was perhaps Parker's most emotionally mature composition to date. "Black Honey" is a dark, downcast sequel to the debut's upbeat first track "White Honey". "Hotel Chambermaid" was covered many years later by Rod Stewart.
In recent years Parker on his website has singled out this album as one of his least favorite of his own works, citing his inexperienced vocal technique, his rushed songwriting, and the stiff production by Robert John "Mutt" Lange. In the 1980s Lange became a massively successful producer of such groups as AC/DC and Def Leppard.
In 2001, Vertigo/Mercury issued a remastered and expanded CD, including two tracks from The Pink Parker EP.
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | A |
| Rolling Stone | (positive) |
| Rolling Stone Album Guide | |
| Trouser Press | (Very favorable) |
The album finished second in the 1976 Village Voice critics poll of the year's best albums along with his previous album, Howlin' Wind, released the same year, at number four.
Read more about Heat Treatment: Track Listing, Personnel, Charts
Famous quotes containing the words heat and/or treatment:
“Genius is present in every age, but the men carrying it within them remain benumbed unless extraordinary events occur to heat up and melt the mass so that it flows forth.”
—Denis Diderot (1713–1784)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)