Hart Crane - Life and Work

Life and Work

Hart Crane was born in Garrettsville, Ohio. His father, Clarence, was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular. He made other candy and accumulated a fortune from the candy business with chocolate bars. Crane's mother and father were constantly fighting, and early in April, 1917, they divorced. Hart dropped out of high school during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of divorce proceedings, were upset. Crane took various copywriting jobs and jumped between friends’ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. From Crane's letters, it appears that New York was where he felt most at home, and much of his poetry is set there.

I am not ready for repentance;
Nor to match regrets. For the moth
Bends no more than the still
Imploring flame. And tremorous
In the white falling flakes
Kisses are,
The only worth all granting.

“ ” Excerpted from "Legend"
published in White Buildings (1926)

Read more about this topic:  Hart Crane

Famous quotes containing the words life and, life and/or work:

    The contention that a standing army and navy is the best security of peace is about as logical as the claim that the most peaceful citizen is he who goes about heavily armed. The experience of every-day life fully proves that the armed individual is invariably anxious to try his strength. The same is historically true of governments. Really peaceful countries do not waste life and energy in war preparations, with the result that peace is maintained.
    Emma Goldman (1869–1940)

    Both Eliot and Pound condense; their best verse is weighted—Pound’s, with sensual experience primarily, and Eliot’s with beliefs. Where the mind’s life is concerned the senses produce images, and beliefs produce dramatic cries. The condensation is important.
    R.P. Blackmur (1904–1965)

    The modern artist must live by craft and violence. His gods are violent gods.... Those artists, so called, whose work does not show this strife, are uninteresting.
    Ezra Pound (1885–1972)