Influences
Edvard Grieg adapted many Hardanger folk tunes into his compositions, and composed tunes for the Hardanger as part of his score for Ibsen's Peer Gynt. The opening phrase of "Morning" from Grieg's Peer Gynt music is derived from the tuning of the sympathetic strings of the Hardanger fiddle: A F♯ E D E F♯ and so on. The main theme from Grieg's piano concerto is said to be inspired by a version of the tune Fanitullen, played by a fiddler from Hallingdal.
In recent years, the instrument has gained recognition in the rest of the world. Japan has been one of the countries that has found an interest in the hardingfele and Japanese musicians travel to Norway just to learn to play this instrument. In 1997, the Australian classical composer Liza Lim wrote the piece Philtre for a solo Hardanger fiddle. Another recent work is "mobius II" for hardanger fiddle and electronics by the British composer Rose Dodd (2011, premiered at the Huddersfield Contemporary Music Festival by Britt Pernille Froholm).
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“Leadership does not always wear the harness of compromise. Once and again one of those great influences which we call a Cause arises in the midst of a nation. Men of strenuous minds and high ideals come forward.... The attacks they sustain are more cruel than the collision of arms.... Friends desert and despise them.... They stand alone and oftentimes are made bitter by their isolation.... They are doing nothing less than defy public opinion, and shall they convert it by blows. Yes.”
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—Henry David Thoreau (1817–1862)
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—Ralph Waldo Emerson (1803–1882)