Hammered Dulcimers, Psalteries, Pianos and Harpsichords
The hammered dulcimer was extensively used during the Middle Ages in England, France, Italy, Germany, Holland and Spain. Although it had a distinctive name in each country, it was everywhere regarded as a kind of psalterium. The importance of the method of setting the strings in vibration by means of hammers, and its bearing on the acoustics of the instrument, were recognized only when the invention of the pianoforte had become a matter of history. It was then perceived that the psalterium in which the strings were plucked, and the dulcimer in which they were struck, when provided with keyboards, gave rise to two distinct families of instruments, differing essentially in tone quality, in technique and in capabilities: the evolution of the psalterium stopped at the harpsichord, that of the dulcimer gave us the pianoforte.
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Famous quotes containing the word hammered:
“Greek is the embodiment of the fluent speech that runs or soars, the speech of a people which could not help giving winged feet to its god of art. Latin is the embodiment of the weighty and concentrated speech which is hammered and pressed and polished into the shape of its perfection, as the ethically minded Romans believed that the soul also should be wrought.”
—Havelock Ellis (1859–1939)