Graham Greene - Works

Works

  • The Man Within (1929)
  • The Name of Action (1930)
  • Rumour at Nightfall (1931)
  • Stamboul Train (1932)
  • It's a Battlefield (1934)
  • England Made Me (also published as The Shipwrecked) (1935)
  • A Gun for Sale (1936)
  • Brighton Rock (1938)
  • The Confidential Agent (1939)
  • The Power and the Glory (1940)
  • The Ministry of Fear (1943)
  • The Heart of the Matter (1948)
  • The Third Man (1949)
  • The End of the Affair (1951)
  • Twenty-One Stories (1954) (short stories)
  • Loser Takes All (1955)
  • The Quiet American (1955)
  • Our Man in Havana (1958)
  • A Burnt-Out Case (1960)
  • A Sense of Reality (1963) (short stories)
  • The Comedians (1966)
  • May We Borrow Your Husband? (1967) (short stories)
  • Travels with My Aunt (1969)
  • A Sort of Life (1971) (autobiography)
  • The Honorary Consul (1973)
  • The Human Factor (1978)
  • Doctor Fischer of Geneva (1980)
  • Ways of Escape (1980) (autobiography)
  • Monsignor Quixote (1982)
  • Getting to Know the General (1984) (nonfiction Panama memoir)
  • The Tenth Man (1985)
  • The Captain and the Enemy (1988)
  • The Last Word (1990) (short stories)
  • No Man's Land (2005)

Read more about this topic:  Graham Greene

Famous quotes containing the word works:

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
    —Henry David Thoreau (1817–1862)

    “My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
    —George Bernard Shaw (1856–1950)