Gothic science fiction is a subgenre of science fiction that, as the name suggests, also involves gothic conventions.
Some of the more obvious examples of the subgenre feature vampires explained in a science fiction context, commonly that vampires are aliens or those infected by a disease as in (Richard Matheson's novel I Am Legend), or products of parallel evolution (George R. R. Martin's novel Fevre Dream) or in (Kate Nevermore's novel Blood of the Living). Some feature entire planets of vampires, or vampire-like creatures (such as the comic book Vampirella).
In his history of science fiction, Billion Year Spree, Brian Aldiss contends that science fiction itself is an outgrowth of gothic fiction-- pointing to Mary Shelley's novel Frankenstein as an example." Science fiction is the search for a definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science) and is characteristically cast in the Gothic or post-Gothic mode." The blend can also be detected quite explicitly in Jules Verne's novel Le Château des Carpathes.
Other examples of the subgenre feature other traditionally gothic tropes in new settings, such as:
- Damsels in distress in faraway future
- Gothic planetary romance
- Gothic futuristic romance
Famous quotes containing the words gothic, science and/or fiction:
“The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.”
—Henry Brooks Adams (1838–1918)
“Science in England, in America, is jealous of theory, hates the name of love and moral purpose. There’s revenge for this humanity. What manner of man does science make? The boy is not attracted. He says, I do not wish to be such a kind of man as my professor is.”
—Ralph Waldo Emerson (1803–1882)
“The purpose of a work of fiction is to appeal to the lingering after-effects in the reader’s mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”
—F. Scott Fitzgerald (1896–1940)