Gothic science fiction is a subgenre of science fiction that, as the name suggests, also involves gothic conventions.
Some of the more obvious examples of the subgenre feature vampires explained in a science fiction context, commonly that vampires are aliens or those infected by a disease as in (Richard Matheson's novel I Am Legend), or products of parallel evolution (George R. R. Martin's novel Fevre Dream) or in (Kate Nevermore's novel Blood of the Living). Some feature entire planets of vampires, or vampire-like creatures (such as the comic book Vampirella).
In his history of science fiction, Billion Year Spree, Brian Aldiss contends that science fiction itself is an outgrowth of gothic fiction-- pointing to Mary Shelley's novel Frankenstein as an example." Science fiction is the search for a definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science) and is characteristically cast in the Gothic or post-Gothic mode." The blend can also be detected quite explicitly in Jules Verne's novel Le Château des Carpathes.
Other examples of the subgenre feature other traditionally gothic tropes in new settings, such as:
- Damsels in distress in faraway future
- Gothic planetary romance
- Gothic futuristic romance
Famous quotes containing the words gothic, science and/or fiction:
“It is perhaps the principal admirableness of the Gothic schools of architecture, that they receive the results of the labour of inferior minds; and out of fragments full of imperfection ... raise up a stately and unaccusable whole.”
—John Ruskin (1819–1900)
“Science without religion is lame, religion without science is blind.”
—Albert Einstein (1879–1955)
“Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.”
—Anthony Burgess (b. 1917)