Plot
Goopy Gyne and Bagha Byne have ruled the kingdom of Shundi and are bored of royal luxuries. They want to get back to the days of adventure they had enjoyed all their lives, but age comes in the way. They leave the kingdom in search of new experiences. Finally, they reach Anandagarh and win the king's heart with their musical abilities and powers. In the court room they meet Brahmananda Acharya, who invites Goopy and Bagha to come to Anandagarh fort. When they go to his place he offers them a job to steal three valuable stones, making use of their miraculous powers gifted by Bhuter Raja (King of Ghosts). In return he promises to make them 20 years younger. They steal two rare stones with a hope to become young again. But
However, in their dream the King of Ghost appears and advises them to keep off injustice. They apologise to him and return the stones to the respective owners. Brahmananda Acharya had gained immense powers, as shown when he was not rendered motionless when they sung in front of the court. But, due to his greed of gaining rare and valuable stones, he was not offered immortality. It was foretold that a 12 year boy, named Bikram, with divine powers, would defeat him. To prevent his death, Brahmananda Acharya had all the boys in Anandagarh, who were 12 years old and were named Bikram, kidnapped by his soldiers. He hypnotized them, making them his servants. In the end, Goopy and Bagha find out that one boy named Kanu was previously named Bikram. He was to receive divine powers at the age of 12. He, along with Goopy and Bagha, goes towards Anandagarh fort. There, as Bikram entered the fort and came close to Brahmananda Acharya, the Acharya sank beneath the ground, signifying that he had been destroyed. His valuable stones also vanished.
Read more about this topic: Goopy Bagha Phire Elo
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
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“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)