Interior
The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with stained glass ogival windows. The apse is separated by the nave by a large wall, characterized by a large central rose window (1705, dedicated to St. Michael Archangel) flanked by two smaller ones at the sides. The polygonal apse is in turn flanked by two short galleries, with ogival arches as entrances, which correspond to the original aisles of the Romanesque edifice and introduce to the ambulatory. The latter is divided by piers with trapezoidal vaults, aligned with the ray of the apse's trapezoidal vaults, and which form ten radial chapels.
The high altar, in white marble, dates to the 11th century. Other artworks include the Gothic sarcophagus of Berenguer d'Anglesola (died 1418), by Pere Oller, in the chapel of Isabella of Portugal, the Chapel of All Saints (1376)
Read more about this topic: Girona Cathedral
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—Allen Tate (1899–1979)
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—Allen Tate (1899–1979)
“Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?”
—Jessamyn West (1902–1984)