Music
Legrenzi was active in most of the genres current in northern Italy in the late 17th century, including sacred vocal music, opera, oratorio, and varieties of instrumental music. Though best known as a composer of instrumental sonatas, he was predominantly a composer of liturgical music with a distinctly dramatic character. The bulk of his instrumental music may also be included in this category, since it would have been used primarily as a substitute for liturgical items at Mass or Vespers. His operas were immensely popular (and extravagantly presented) in their day, though like his oratorios, few have survived. His later dance music was certainly connected with the operatic repertoire, though the function of an early collection (Op. 4, which is musicologically famous for its inclusion of six pieces designated sonate da camera) is less clear.
Read more about this topic: Giovanni Legrenzi
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“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the worldso that the moment of intense turning seems still and universalall are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
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