Bodies
Various ethnicities in addition to Native American and African American were implied through different skin tones and head sculpt variations. These figures offered a higher level of articulation than the Hall Of Fame (HOF) figures offered earlier in the 90's, or the G.I. Joe store exclusives from 1996 (Airborne MP, Battle of the Bulge, Dress Marine, Navy Seal w/raft, Navy Admiral, and others) that were based on the HOF body, with an adaptation of the original 60's head sculpt. and the weapons were more appropriately scaled to the figures. The bodies were also closer in spirit to the original G I Joe of the sixties, articulated in a similar fashion, albeit of a much heavier plastic, with stiff joints which negatively impacted the posability of the figures. The faces featured the trademark scar on the right cheek, and initially only one head mold was used, with the exception of the African American figure. All these early heads had a "flat-top" crewcut look. Later issues after the end of the deluxe windowbox format offered a variety of head molds, although the heads themselves were no longer as proportionate to the body, generally on the small side, including the flat-top version. The hands were also an improvement over the bulky HOF hand design, but still not to the level of the 70's kung-fu grip, and were still somewhat over-sized, with no separation of the fingers (although deft use of an xacto knife easily remedied this aspect). Later issue hands were smaller and more proportionate, some had fingers that pivoted on a pin running through the knuckles. The clothing and footwear was arguably of a more realistic nature than the earlier figures.
Read more about this topic: G.I. Joe Classic Collection
Famous quotes containing the word bodies:
“This deaths livery which walled its bearers from ordinary life was sign that they have sold their wills and bodies to the State: and contracted themselves into a service not the less abject for that its beginning was voluntary.”
—T.E. (Thomas Edward)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by handa center of gravity.”
—Adrienne Rich (b. 1929)
“Their bodies are buried in peace; but their name liveth for evermore.”
—Apocrypha. Ecclesiasticus, 44:14.
The line their name liveth for evermore was chosen by Rudyard Kipling on behalf of the Imperial War Graves Commission as an epitaph to be used in Commonwealth War Cemeteries. Kipling had himself lost a son in the fighting.