Gertrude Jekyll - Themes

Themes

Jekyll was one half of one of the most influential and historical partnerships of the Arts and Crafts movement, thanks to her association with the English architect, Sir Edwin Lutyens, for whose projects she created numerous landscapes, and who designed her home Munstead Wood, near Godalming in Surrey. (In 1900, Lutyens and Jekyll's brother Herbert designed the British Pavilion for the Paris Exposition.)

Jekyll is remembered for her outstanding designs and subtle, painterly approach to the arrangement of the gardens she created, particularly her "hardy flower borders". Her work is known for its radiant colour and the brush-like strokes of her plantings; it is suggested by some that the Impressionistic-style schemes may have been due to Jekyll's deteriorating eyesight, which largely put an end to her career as a painter and watercolourist. In works like Colour Schemes for the Flower Garden (reprinted 1988) she put her imprint on modern uses of "warm" and "cool" flower colours in gardens.

Jekyll was one of the first of her profession to take into account the colour, texture, and experience of gardens as the prominent authorities in her designs, and she was a lifelong fan of plants of all genres. Her theory of how to design with colour was influenced by painter J.M.W. Turner and by impressionism, and by the theoretical colour wheel. Later in life, Jekyll collected and contributed a vast array of plants solely for the purpose of preservation to numerous institutions across Britain. This pure passion for gardening was started at South Kensington School of Art, where she fell in love with the creative art of planting, and even more specifically, gardening. At the time of her death, she had designed over 400 gardens in Britain, Europe and a few in North America. Jekyll was also known for her prolific writing. She penned over fifteen books, ranging from Wood and Garden and her most famous book Colour in the Flower Garden, to memoirs of her youth. Jekyll did not want to limit her influence to teaching the practice of gardening, but to take it a step further to the quiet study of gardening and the plants themselves. Her concern that plants should be displayed to best effect even when cut for the house, led her to design her own range of glass flower vases.

Jekyll later returned to her childhood home in the village of Bramley, Surrey to design a garden in Snowdenham Lane called Millmead. She was also interested in traditional cottage furnishings and rural crafts, and concerned that they were disappearing. Her book Old West Surrey (1904) records many aspects of 19th century country life, with over 300 photographs taken by Jekyll.